The last week before tech: It's when our heads are finally out of the text and taking a full step (or stumble) into the world. I think plays in production develop a lot like the human body. I love this time in rehearsal, when all the work and growth starts to catch up with you; all the bones come together to make a skeleton. From where I sit, at this time the show always feels like a baby taking it's first steps -- and it's both beautiful and terrifying to watch. Who knows how far it will go-- and where are the places that it needs help, needs balance? Obstacles are never more clear at this time-- they'll knock you over (hopefully figuratively) and that's a good thing, so you know where they are. Alec's play is a remarkable exploration of human connection and human loneliness -- and it's a joy to step into from both a creative and technical angle. He's done so much work throughout the process-- I have so much faith in him, in his artistry as well as integrity. And these actors have really given their all, taking great risks in the process. We're lucky to have them, as well as our tireless production team. I'm very proud of the work we've done, the anatomy we've discovered. I'm looking forward to our second run this Thursday -- and despite this snow storm (our latest obstacle), our design team is coming to watch! I have a feeling they'll help me find some missing bones.
From the director's chair,
Jenna